Don’t forget the hair
“Some years ago I went from hating drawing hair to loving it,” Ørum. “Previously, I used to view working out all the details and directions of the hair as a tedious endeavor. Now I think of it more like a large, organic shape, which like a flag in the wind indicates and emphasizes the movement of the character or its surroundings.
“Start by creating a large shape and divide it into shorter sections, while thinking about where the hair is parted and where the hairline is. Every line should help to define the volume, shape, and direction of the hair.”